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  To Be a Supermodel       ★★★
To Be a Supermodel
[ 作者:Zhang Xiulan (张秀兰)    转贴自:本站原创    点击数:370    更新时间:2009-10-19    文章录入:jiangtiehai ]

 

“Lift your head a little bit”, the girl follows these words. “Your eyes should be full of passion, instead of innocence. Just like this.” The girl copies his eyes expression. “Put your hand on your waist to show the beauty of your body.” The girl does it. Ca-cha, the photographer fastens the shutter, looking at the photo, and says “Gorgeous! You are so beautiful! Now, put on the LV clothes and then fly to Paris, Sasha.”

Wearing the world famous brand clothes, having the ideal figure many girls desire, getting highly paid --- this is what a supermodel looks like. Supermodels always wear the latest dress by famous designers, like Marc JacobLV’s chief designer. They keep changing clothes, from Gucci to D&G, from Channel to Dior. They may have five or six different make-ups and hairstyles within an hour. They spend about 29 seconds on the T-stage, but several weeks preparing for it. They may stay in Paris this minute but in New York the next. They are shopping with their best friends at this moment, but the schedule is suddenly disturbed by an emergency call from the manager. This disorderly schedule is also part of their model life.

Maggie Rizer, 29, a supermodel working for Vogue, hates the unset schedule most. When she was asked “What’s the most difficult thing about your job? The travel? Being away from your family, friends, or boy friend?” “The hardest part about modeling for me is not feeling grounded. I don’t have a fixed schedule. I am always running around and never know where I am going to be next,” said she. She had once walked 90 shows in a day. Her toes had been red and sore. Her face had been allergic to cosmetics; tears couldn’t help dropping from her eyes. As a supermodel, she feels that her body no longer belongs to her, for she never knows what she really looks like until her make-up and hair are done. It is always crowded behind the stage. Designers’ assistants keep shouting, models keep looking for their clothes, designers try to make the cloths look perfect on the models. Everything is out of order.

Supermodels are top fashion models. These celebrities, also known as cover girls, appear on top fashion magazine covers, in catalogue and in fashion shows. The first model to pave the way for what would become to supermodel was Lisa Fonssagrives. The relationship between her image over 200 Vogue covers and her name recognition led to the importance of Vogue in shaping future supermodels.

Figure is the capital of being a super model. Kate Moss, 35, is one of the most famous supermodels in the world. She has had campaigns with major Italian, French, American and British designers including Gucci, Versace, and D&G. Moss has appeared on the cover of British Vogue alone 26 times and has been featured on the cover of 17 issues. She has won the prestigious Vogue or CFDA (Council of Fashion Designers of America) award from the fashion Designers of America in July, 2005. In order to keep her perfect figure and to expand her career life span, she had once been a cocaine addict. It is reported that she snorted 5 lines in 40 minutes. The image supermodels have, in many people’s mind, is that they are beautiful in appearance and that they are chain smokers and drug taking divas. “The reason they smoke and take drugs is that they can release their pressure and keep their size zero figure by doing that. They are reluctant to do so, but they have to,” says Marc Bohan, chief designer of Dior.

Supermodels’ career span is short. They have to retire when their figure and beauty begin to fade. Many supermodels will do something else, such as, to be a designer, to be a singer, or to produce TV program. American’s Next Top Model, a very heat TV show in America, is hosted by Tyra Banks, once a model for D&G. Most supermodels will try to use their fame to set up their own business to keep money flowing in after retirement.

Though being a supermodel is a glorious job for a while, a difficult profession for a minute, it is still worthwhile.

 

                                             The author's e-address: 609383701@qq.com

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  •   网友评论:(只显示最新10条。评论内容只代表网友观点,与本站立场无关!)
  • 会员『ethnicrhetoric』于2009-10-27 15:15:31发表评论:
  • 评分:3分
        I thought this essay was quite interesting and executes a good critique of what it takes to be a model. I love the introduction! Mostly, I was wondering about your coherence and central idea. 1). At the end you give a thesis statement that shifts away from your critique of models. You have given a good critique of the problems with modeling, however, if this isn’t your central idea, then your essay should explain why it’s still worthwhile. 2). I think your paper would be better organized if you moved your fourth paragraph (“origins”?) just after your first paragraph. 3). Your third to last paragraph is an excellent commentary on the expectation of a model’s “figure.” However, before you critique it, it would make your point more effective if you described first how that “figure” looks. In your second to last paragraph, you might want to take out “span.” A “career” stretches over a period of time. “Span” repeats what is already implied in “career.”
    -Damon Cagnolatti
    (dmc396@psu.edu)

  • 会员『ethnicrhetoric』于2009-10-27 9:59:34发表评论:
  • 评分:3分
        Very nice opening four paragraphs, culminating in the beautiful sentence, "Figure is the capital of being a super model." Until then is a nice introduction, and I think this shift identifies the heart of what becomes very compelling in your feature.

    Your claim that "In order to keep her perfect figure and to expand her career life span, [Kate Moss] had once been a cocaine addict," is both powerful and potentially misleading, I think. I would be careful about simplifying a mix of ingredients that go into something so complex as a drug addiction.

    Keeping a figure and lengthening a career might factor heavily into it for some, but I think your quotation from Marc Bohan goes further with the idea of "releasing pressure." As a reader, I would like to see you develop this idea further. What sorts of pressure do you think he might be talking about, what more is there to say about it?

    I thought your "Report on the Writing Process" was excellent. As a writing teacher in the United States, I learned a lot from how you link your strategies to specific rhetorical purposes.

    Thank you for the opportunity to read your paper. I welcome any response to my comments, and I hope they are helpful.

    Respectfully,

    William Schraufnagel
    wes162@psu.edu

  • 会员『ethnicrhetoric』于2009-10-26 23:02:13发表评论:
  • 评分:3分
        What I found most intriguing about this essay was the report on the writing process. Here the writer explains her concerns regarding fluency in language and grammar and spelling. I’ve noticed from my own experience in the writing center here at PSU that all students are concerned with the same issues. This essay, while it contains some errors particularly with her use of the article “the”, these errors do not prevent the reader from understanding the overall purpose of the essay. The minor errors here reveal common problems that all writers experience. The writer could possibly benefit from an outline or pre-writing exercise since it appears that there are several facets of the topic addressed briefly rather than a focus on a one specific problem, aspect or issue. Still, feature writing always presents related challenges. The essay clearly expresses a complicated double-pronged anxiety regarding the modeling industry .The writer acknowledges the financial gains and also pays keen attention to the physical tax that the profession requires. My name is Nadia Wilson. My email address is ndw115@psu.edu. Thank you for sharing!

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